鈥楤iggest ever鈥� da Vinci show opens at Paris Louvre
Doors are now open to the Leonardo da Vinci exhibition at the Louvre museum in Paris, with the show dubbed the 鈥渂iggest ever retrospective鈥� of the Renaissance polymath.
In total, 162 works are now on show to the public, to coincide with the 500th anniversary of da Vinci鈥檚 death in 1519.
The much-anticipated exhibition opened yesterday (Thursday October 24), and will last until Monday February 24, 2020.
Tickets are only available with , and more than 260,000 entries have already been sold, prompting comparisons with the recently-closed Tutankhamun: The Treasure of the Pharaoh exhibition held in the Grande Halle de la Villette, to which 1.42 million tickets were sold in total.
The new retrospective includes 10 finished paintings, representing 50% of the total number of painting works ever attributed to da Vinci by experts.
Mona Lisa, La Joconde or La Gioconda (1503鈥�1505/07) is part of the permanent collection at the Louvre, and will not be moved to the separate exhibition (Leonardo da Vinci / )
The famous Mona Lisa masterpiece - arguably da Vinci and the Louvre鈥檚 most popular work, and which already attracts more than 30,000 visitors per day alone - will remain in its usual place in the museum鈥檚 permanent collection.
It will not be moved to the separate exhibition, but it is the subject of a seven-minute 鈥�3D, virtual reality鈥� experience held at the end of the visit.
The "missing" $450 million Salvator Mundi piece (Jairo Rodriguez 鈥�/ )
The infamous Salvator Mundi painting is not expected to be part of the show.
It has been 鈥渕issing鈥� since it was bought in 2017 for a record $450 million (鈧�405 million) 18 months ago, and is thought to have been acquired secretly for the forthcoming opening of the Louvre Abu Dhabi.
The Vitruvian Man will appear at the Louvre, but only for two months (Leonardo da Vinci / Accademia, Venice / )
The iconic but fragile Vitruvian Man piece will appear - after a battle that saw it momentarily banned from being loaned - and has been lent to the Louvre by the Accademia Gallery of Venice. Yet, it arrived late, and is only set to be shown for two months.
The exhibition has to coordinate and complete, and has seen the Louvre borrow pieces from all over the world, including from the British Museum in London; the Vatican, and several museums in Italy.
